Urban Memory and Visual Culture in Berlin
Simon Ward
- Title
- Memory in Motion
- Subtitle
- Archives, Technology, and the Social
- Price
- € 141,00 excl. VAT
- ISBN
- 9789462982147
- Format
- Hardback
- Number of pages
- 332
- Language
- English
- Publication date
- 01 - 11 - 2016
- Dimensions
- 15.6 x 23.4 cm
- Open Access
- Download on Open Access Platform
- Series
- Recursions
- Discipline
- Film, Media, and Communication
- Preview
- Download Preview
- Also available as
- eBook PDF - € 0,00
Ina Blom: Introduction
Oralities
Chapter One: Wolfgang Ernst: 'Electrified Voices': Non-Human Agencies of Socio-Cultural Memory
Chapter Two: Sonia Matos: Can Languages be Saved? Linguistic Heritage and the Moving Archive
Softwares
Chapter Three: Matthew Fuller, Andrew Goffey, Adrian Mackenzie, Richard Mills, Stuart Sharples: Big Diff, Granularity, Incoherence and Production in the Github Software Repository
Chapter Four: David Berry: The Post-Archival Constellation: The Archive Under the Technical Conditions of Computational Media
Lives
Chapter Five: Jussi Parikka: Planetary Goodbyes: Post-History and Future Memories of an Ecological Past
Chapter Six: Ina Blom: Video Water, Video Life, Videosociality
Chapter Seven: Eivind Røssaak: FileLife: Constant, Kurenniemi and the Question of Living Archives
Images
Chapter Eight: Trond Lundemo: Mapping the World: Les Archives de la planète and the Mobilisation of Memory
Chapter Nine: Pasi Valiaho: Stills from a Film That Was Never Made: Cinema, Gesture, Memory
Chapter Ten: Liv Hausken: The Archival Promise of the Biometric Passport
Socialities
Chapter Eleven: Tiziana Terranova: A Neomonadology of Social (Memory) Production
Chapter Twelve: Yuk Hui: On the Synthesis of Social Memories
Reviews and Features
"[Memory in Motion] is a highly valuable contribution to the increasing exchanges between memory studies, cultural studies, digital humanities and media archeology." - Reviewed in Leonardo by Jan Baetens, June 2017
Memory in Motion
Archives, Technology, and the Social
How do new media affect the question of social memory? Social memory is usually described as enacted through ritual, language, art, architecture, and institutions ? phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how social memory should be understood in an age of digital computing, instant updating, and interconnection in real time, is very much up in the air. The essays in this collection discuss the new technologies of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social.
Contributors: David Berry, Ina Blom, Wolfgang Ernst, Matthew Fuller, Andrew Goffey, Liv Hausken, Yuk Hui, Trond Lundemo, Adrian Mackenzie, Sónia Matos, Richard Mills, Jussi Parikka, Eivind Røssaak, Stuart Sharples, Tiziana Terranova, Pasi Väliaho.
Contributors: David Berry, Ina Blom, Wolfgang Ernst, Matthew Fuller, Andrew Goffey, Liv Hausken, Yuk Hui, Trond Lundemo, Adrian Mackenzie, Sónia Matos, Richard Mills, Jussi Parikka, Eivind Røssaak, Stuart Sharples, Tiziana Terranova, Pasi Väliaho.
Editors
Ina Blom
Ina Blom is a Professor at the Department of Philosopy, Classics, History of Art and Ideas at the University of Oslo and Visiting Professor at the Dept. of Art History, University of Chicago. She is the author of On The Style Site. Art, Sociality, and Media Culture (2007) and The Autobiography of Video. The Life and Times of a Memory Technology (2016).
Trond Lundemo
Trond Lundemo is Associate Professor in Cinema Studies at The Department of Media Studies, Stockholm University. He is co-editor of The Location of History, vol. 3: Memory, Media and Materiality (in Swedish, 2016) and co-editor of the book series Film Theory in Media History at Amsterdam University Press.
Eivind Røssaak
Eivind Røssaak is Associate Professor in the Research Department at the National Library of Norway and Visiting Professor at Nordland College of Cinema and the Arts. He is the editor of The Archive in Motion (2010) and Between Stillness and Motion (2011) and the author of The Still/Moving Image: Cinema and the Arts (2010).
