Money Matters in European Artworks and Literature, c. 1400-1750
Natasha Seaman, Joanna Woodall (eds)
- Title
- (How) Opera Works, (Hoe) opera werkt
- Subtitle
- Pierre Audi Lectures, Pierre Audi lezingen
- Price
- € 24,99
- ISBN
- 9789463723015
- Format
- Paperback
- Number of pages
- 266
- Language
- Dutch & English
- Publication date
- 12 - 10 - 2018
- Dimensions
- 14.8 x 21 cm
- Discipline
- Film, Media, and Communication
VOORWOORD - ELS VAN DER PLAS EN KATI RÖTTGER
DROMEN MET PIERRE - REINBERT DE LEEUW
UITEENLOPENDE WEGEN VAN MUZIEKTHEATER - PIERRE AUDI
VERONTRUSTENDE CONFRONTATIE - PIERRE AUDI
TRANSFORMATIES - PIERRE AUDI
MYTHOLOGIE, RITUELEN EN OPERA - PIERRE AUDI
PROBLEEM = OPLOSSING - PETER SELLARS
ESTHETIEK VAN AFWEZIGHEID - HEINER GOEBBELS
BIOGRAFIEËN
PRODUCTIES
COLOFON
---------------------------
AESTHETICS OF ABSENCE - HEINER GOEBBELS
PROBLEM = SOLUTION - PETER SELLARS
MYTHOLOGY, RITUAL AND OPERA - PIERRE AUDI
TRANSFORMATIONS - PIERRE AUDI
DISTURBING HOMECOMING - PIERRE AUDI
MULTIPLE PATHS OF MUSIC THEATRE - PIERRE AUDI
DREAMING WITH PIERRE - REINBERT DE LEEUW
AFTERWORD - ELS VAN DER PLAS AND KATI RÖTTGER
BIOGRAPHIES
PRODUCTIONS
CREDITS
Liesbeth Kruyt, Christopher Harris
(How) Opera Works, (Hoe) opera werkt
Pierre Audi Lectures, Pierre Audi lezingen
‘A profound approach to opera uncovers a gold mine of possibilities; opera is fuelled with the energy of the future. And while the search for gold will always go on, the other ‘mines’ — concealed in the operatic production process — must be tracked down and defused. Risk-taking is integral to the operatic process; without risks, an exciting policy is unthinkable.’
It was with these thrilling and significant metaphors that, in 1988, Pierre Audi laid out his initial plans as artistic director of Dutch National Opera.
It is now thirty years later, and the time has come to consider the gold mine that Pierre Audi discovered for us. Hence this publication, which contains the essence of Audi’s ideas concerning music theatre, opera, and art in general. In it we can trace the changes and the development of his artistic vision over the last decades; through it we can see that opera is fuelled with the energy of the future.
The book is written in both Dutch and English.
It was with these thrilling and significant metaphors that, in 1988, Pierre Audi laid out his initial plans as artistic director of Dutch National Opera.
It is now thirty years later, and the time has come to consider the gold mine that Pierre Audi discovered for us. Hence this publication, which contains the essence of Audi’s ideas concerning music theatre, opera, and art in general. In it we can trace the changes and the development of his artistic vision over the last decades; through it we can see that opera is fuelled with the energy of the future.
The book is written in both Dutch and English.
