Theorizing Stephen King
Title
Theorizing Stephen King
Price
€ 141,00 excl. VAT
ISBN
9789048559619
Format
Hardback
Number of pages
364
Language
English
Publication date
Dimensions
15.6 x 23.4 cm
Table of Contents
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Stephen King and His Critics – Michael Blouin
I. Why Theorize?
1. Reading King Through the Years: Theoretical Permutations – Tony Magistrale
2. “Can’t someone else do it?” An (Attempted) A-theoretical Reading of Needful Things – Patrick McAleer
3. Stephen King and the Trouble with Poststructuralism – Michael Blouin
II. Making Meaning
4. Reading Stephen King Religiously: Scary Stories and the Teaching of Religion – Douglas Cowan
5. Stephen King’s and Peter Staub’s Mythmaking: Jack Sawyer as an American Hero – Daniel Compora
6. The Gospel (Paraphrase): King and Christian Epigraphs – Rebecca Frost
7. Excursus on Suffering, Meaning, and Metaphysics in Stephen King’s Revival – Jacob Held
III. Adapting Stephen King
8. Cinematic Skeleton Crew: Adapting Stephen King in the Mid-1980s – Joseph Maddrey and Carl H. Sederholm
9. Towards Infection: Viral Adaptations of King – Matthew Holtmeier and Chelsea Wessels
IV. New Critical Interventions
10. “Is Zelda dead yet?”: Disability, Mortality, and Narratives of Appropriation in Pet Sematary – Melissa Raines
11. “For you the sun never came back out”: Theorizing Trauma in It and Gerald’s Game – Laura Mulcahy
12. Choosing to See: Gardening It within The Upside Down without a Cord – Michael Perry
13. “the tongueless voice of the temple whispered”: Delirious Voices in Rose Madder – Theresa Mae Thompson
14. A Lovecraftian Critique of the Art of Stephen King – Greg Littmann
15. “A Certain Rough Justice”: Stephen King, Digital Activism, and Donald Trump - Philip Simpson
16. Dead Is Better: Pet Sematary and Animal Studies – Sarah D. Nilsen
17. Author Functions: Stephen King's Writers – effrey Andrew Weinstock
Index

Michael Blouin (ed.)

Theorizing Stephen King

Readers of all stripes will find something to appreciate in this collection, which illuminates how King’s horror literature as a media form has shifted in relation to cultural understandings over time. Many chapters touch upon how surrounding texts, such as film/TV adaptations, have played into these mediations throughout King’s storied career. For the first-time reader of King, this volume offers a doorway into his works: an array of exciting critical frameworks with which to make sense of King’s fictional universe. For literary critics, this volume argues that King’s corpus remains a site for robust intellectual inquiry. And for all of us, the book provides an occasion—one that is long overdue—to rethink King’s relationship to critical theory as well as his legacy as a major American author. While it may prove impossible to reconcile King and the academy, we might nonetheless explore the evolution of their inescapable bond in hopes of negotiating a greater understanding between them.
Editor

Michael Blouin

Michael J. Blouin, PhD is a professor of English and Humanities at Milligan University. His recent publications include Democracy and the American Gothic (2024), Stephen King and American Politics(2021) and Stephen King and American History (2020). Blouin’s primary research interests are horror, popular culture, and critical theory.