List of Figures
Introduction
The structure of the book
1 Unstable constellations: Recognizing cinema out of place
1.1 Configurations
1.2 Protocols
1.3 Conclusion
2 Relocations: Mapping the non-theatrical field in Scotland
2.1 The fieldwork sample
2.2 Non-theatrical
2.3 Ephemeral
2.4 Pop-up
2.5 Improvised and insterstitial
2.6 Early ephemeral cinemas
2.7 Conclusion
3 A desire for the civic: Community cinemas and volunteer work
3.1 Social value
3.2 Public hall cinema
3.3 Community cinema
3.4 Case studies
3.5 Conclusion
4 Film clubs and subcultural cinephile spaces
4.1 Film cultures
4.2 Alternative exhibition in Glasgow
4.3 Glasgow film clubs
4.4 Producing spaces of cinephilia
4.5 Negotiating abundance and obsolescence
4.6 Conclusion
5 On the ground: Participatory screenings in everyday spaces
5.1 Archive film and local audiences
5.2 Spaces for action
5.3 Pop-up cinema as a site for public discussion
5.4 Conclusion
6 Crafting the extraordinary: site-specificity and liveness
6.1 An unrepeatable experience
6.2 Enhanced cinema: the pleasures of space
6.3 Site-specific programming
6.4 Expanded and expansionist cinema
6.5 Liveness
6.6 Conclusion
7 Against enclosure: DIY exhibition as prefigurative action
7.1 Tactical urbanism
7.2 Publicness and commoning
7.3 DIY and disalienated work
7.4 Home Cinema
7.5 Networks
7.6 Conclusion
8 Coda
9 Acknowledgements
References
Index