Southeast Asia on Screen
Gaik Cheng Khoo, Thomas Barker, Mary Ainslie (red.)
- Titel
- A Revolution for the Screen
- Subtitel
- Abel Gance's Napoleon
- Auteur
- Paul Cuff
- Prijs
- € 124,00 excl. BTW
- ISBN
- 9789089647344
- Uitvoering
- Hardback
- Aantal pagina's
- 272
- Taal
- Engels
- Publicatiedatum
- 25 - 06 - 2015
- Afmetingen
- 15.6 x 23.4 cm
- Categorie
- Film Studies
- Discipline
- Film, media en communicatie
- Ook beschikbaar als
- eBook PDF - € 123,99
List of illustrations
Note on formatting
Acknowledgements
Foreword
Preface: Critical perspective
1. Napoleonic ambition and historical imagination
2. Shaping expectations: The young Napoléon Bonaparte
3. Civilization and savagery: Visions of the French Revolution
4. Mortal gods: Voices of power and of providence
5. The dark light of Napoleonic cinema
6. A view from the margins of history
7. Melodrama and the formulations of family
8. Worlds in transition: Class, consumption, corruption
9. Death and transf.iguration
Conclusion: The case for enthusiasm
Filmography and bibliography
Index
Paul Cuff
A Revolution for the Screen
Abel Gance's Napoleon
De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
Abel Gance's silent masterpiece, Napoleon, was given a limited run on its debut in 1927, but soon afterwards distributors in France and America, unwilling to deal with its nine-hour running time, subjected it to savage cuts - with devastating results for the movie and for film history. The struggle across ensuing decades to restore and reintegrate Gance's film has formed a backdrop to an array of formal, contextual, and ideological battles. In this book, Paul Cuff takes account of those battles and challenges received opinion on Gance's view of both his film and its subject.
