"[This book] opens up an interesting and necessary debate in theatre analysis. It is arguable whether theatrical autonomy, being a concept that is almost impossible to define without a certain amount of reductionism, can be the key concept in further research on theatre sociology, but precisely the research of concrete cases will answer this question. It is therefore a valuable book that will help any researcher or student rethink his or her methodological approach." - Ga¿per Troha, Amfiteater, Journal of Performing Arts Theory Vol. 5, no. 2