The Aesthetics of Global Protest
Aidan McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen, Umut Korkut (red.)
- Titel
- The Visual Memory of Protest
- Redacteuren
- Ann Rigney
- Thomas Smits
- Prijs
- € 117,00 excl. BTW
- ISBN
- 9789463723275
- Uitvoering
- Hardback
- Aantal pagina's
- 232
- Taal
- Engels
- Publicatiedatum
- 01 - 08 - 2023
- Afmetingen
- 15.6 x 23.4 cm
- Categorieën
- Art and Material Culture
- Conflict and Peace
- Contemporary Society
- Cultural Studies
- Sociology and Social History
- Sociology and Social History
- Discipline
- Sociale en Politieke Wetenschappen
- Ook beschikbaar als
- eBook PDF - € 0,00
Acknowledgements
Introduction, (Ann Rigney and Thomas Smits)
Producing Memorable Images
1. Photojournalism, the World Press Photo Awards, and the Visual Memory of Protest, (Marco Solaroli)
2. The Photographs of Nair Benedicto and the Memory of Protest in Brazil, (Erika Zerwes)
3. Deniz Gezmi. takes to the Streets: From Photograph to Silhouette [tbc], (Duygu Erbil)
Reproduction and Remediation
1. Photography, Memory and Women in May ’68, (Antigoni Memou)
2. Scarcity in Visual Memory: Creating a Mural of Sylvia Pankhurst, (Clara Vlessing)
3. Memory, Iconicity and Virality in Action: Exploring Protest Photos Online, (Samuel Merrill)
Mobilizing Visual Memory
1. Visual Memory in Grassroots Mobilizations: The Anti-Corruption Movement of 2011 in India, (Alice Mattoni and Anwesha Chakraborty)
2. Visual Activism in Protest against Disappearances: The Photo-Portraits of the 43 Ayotzinapa Students, (Sophie Dufays)
3. Space and Place in Online Visual Memory: The Tank Man in Hong Kong, 2013–2020, (Thomas Smits and Ruben Ros)
List of Illustrations
Notes on Contributors
Index of Names
Introduction, (Ann Rigney and Thomas Smits)
Producing Memorable Images
1. Photojournalism, the World Press Photo Awards, and the Visual Memory of Protest, (Marco Solaroli)
2. The Photographs of Nair Benedicto and the Memory of Protest in Brazil, (Erika Zerwes)
3. Deniz Gezmi. takes to the Streets: From Photograph to Silhouette [tbc], (Duygu Erbil)
Reproduction and Remediation
1. Photography, Memory and Women in May ’68, (Antigoni Memou)
2. Scarcity in Visual Memory: Creating a Mural of Sylvia Pankhurst, (Clara Vlessing)
3. Memory, Iconicity and Virality in Action: Exploring Protest Photos Online, (Samuel Merrill)
Mobilizing Visual Memory
1. Visual Memory in Grassroots Mobilizations: The Anti-Corruption Movement of 2011 in India, (Alice Mattoni and Anwesha Chakraborty)
2. Visual Activism in Protest against Disappearances: The Photo-Portraits of the 43 Ayotzinapa Students, (Sophie Dufays)
3. Space and Place in Online Visual Memory: The Tank Man in Hong Kong, 2013–2020, (Thomas Smits and Ruben Ros)
List of Illustrations
Notes on Contributors
Index of Names
Ann Rigney, Thomas Smits (red.)
The Visual Memory of Protest
De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
Social movements are not only remembered in personal experience, but also through cultural carriers that shape how later movements see themselves and are seen by others. The present collection zooms in on the role of photography in this memory-activism nexus. How do iconographic conventions shape images of protest? Why do some images keep movements in the public eye, while others are quickly forgotten? What role do images play in linking different protests, movements, and generations of activists? Have the affordances of digital media made it easier for activists to use images in their memory politics, or has the digital production and massive online exchange of images made it harder to identify and remember a movement via a single powerful image? Bringing together experts in visual culture, cultural memory, social movements, and digital humanities, this collection presents new empirical, theoretical, and methodological insights into the visual memory of protest.
Redacteuren
Ann Rigney
Ann Rigney bekleedt de leerstoel Vergelijkende Literatuur aan de Universiteit Utrecht.
Thomas Smits
Thomas Smits is a post-doc researcher at the University of Antwerp. A historian with an interest in visual culture and computer-assisted methodologies, he is author of the prize-winning The European Illustrated Press and the Emergence of a Transnational Visual Culture of the News, 1842-1870 (Routledge, 2020). Between 2019-2021, he worked as a post-doc researcher for the Remembering Activism: The Cultural Memory of Protest in Europe (ReAct) project. Recent work has been published in New Media and Society, Memory Studies, Visual Communication and Social Movement Studies.
