Ursula Keller – Germany

Writing Europe

Ilma Rakusa – Switzerland

Impressions and Conversations during the Intervals

Guðbergur Bergsson – Island

Europe Untitled

Andrei Bitov – Russia

The Literary Hero as Hero

Hans Maarten van den Brink – The Netherlands

Language and Terror

Mircea Cărtărescu – Romania

Europe Has the Shape of My Brain

Stefan Chwin – Poland

The Nursery School Teacher from Tversk Street

Aleš Debeljak – Slovenia

Concentric Circles of Identity

Jörn Donner – Finnland

Europe from the Fringe

Mario Fortunato – Italy

Europe?

Eugenio Fuentes – Spain

The Western Bloc

Jens Christian Grøndahl – Denmark

Notes of an Escapist

Durs Grünbein – Germany

Europa’s Lovers

Daniela Hodrová – Czech Republic

Woven Into the Web

Panos Ioannides – Cyprus

Europe in My Prose and My Theatrical Work

Mirela Ivanova – Bulgaria

Europe — One Way of Reading It

Lídia Jorge – Portugal

A Sort of Huge Portugal

Dževad Karahasan – Bosnia

Europe Writes in Time

Fatos Lubonja – Albania

Between the Local and the Universal

Adolf Muschg – Switzerland

Europe or “Eleuthera, City of the Mnemosyne”

Péter Nádas – Hungary

In the Intimacy of Literary Writing

Emine Sevgi Özdamar – Turkey

Guest Faces

Geir Pollen – Norway

On the European Ingredient in the Text

Jean Rouaud – France

In Memory of Ernst Wiechert

Robert Schindel – Austria

“We’re All Right.” Europe’s Influence on My Writing

Ivan Štrpka – Slovakia

Oh, Children Smeared with Honey and with Blood

Richard Swartz – Sweden

The Light Falls on Me

Nikos Themelis – Greece

Looking for a Widened Self-Awareness

Emil Tode – Estonia

Europe, a Blot of Ink

Colm Toíbín – Ireland

The Future of Europe

Jean-Philippe Toussaint – Belgium

You Are Leaving the American Sector

Dubravka Ugrešić – Croatia

European Literature as a Eurovision Song Contest

Dragan Velikić – Serbia

B-Europe

Tomas Venclova – Lithuania

What Can Lithuania Give to Present-Day Europe

Māra Zālīte – Latvia

Unfinished Thoughts