Introduction Part One: Documents of Communism: Lost and Found Rév: The Man in the White Raincoat Uitz: Communist Secret Services on the Screen: The Adventures of the Duna-gate Scandal in and Beyond Hungarian Media Varga: Façades: Private and Public in Kádár’s Kiss by Péter Forgács Solomon: Filmmaker’s Experience: Reconstructing Reality from Communist Archive Documents Part Two: Subjects of Nostalgia: Selling the Past Dakovic: Out of the Past: Memories and Nostalgia in (Post) Yugoslav Cinema Sarkisova: Long Farewells: The Anatomy of the Soviet Past in Contemporary Russian Cinema Poblocki: The Economics of Nostalgia: Socialist Films and Capitalist Commodities in Contemporary Poland Dominková: “We have democracy, don’t we?” Czech Society Reflected by Contemporary Czech Cinema Part Three: Objects of Memory: Museums, Monuments, Memorials Horváth: The Redistribution of the Memory of Socialism: Identity Formations in Hungary after 1989 Cristea - Radu-Bucurenci: Raising the Cross. Exorcising Romania’s Communist Past in Museums, Memorials and Monuments Vukov: The “Unmemorable” and the “Unforgettable”: “Museumizing” the Socialist Past in Post-1989 Bulgaria Mark: Containing Fascism: History in Post-Communist Baltic Occupation and Genocide Museums Main: How Communism Is Displayed? Exhibitions and Museums of Communism in Poland