Introduction
(Michael Schwab & Henk Borgdorff) Considering
Notes on Media Sensitivity in Artistic Research
(Mika Elo) Artistic Researching: Expositions as Matters of Concern
(Ruth Benschop, Peter Peters and Brita Lemmens) Exposition
(Rolf Hughes) Aesthetic Sensibility and Artistic Sonification
(Marcel Cobussen) Publishing The Meaningful Exposition
(Michael Biggs and Daniela Büchler) Expositions in the Research Catalogue
(Michael Schwab) Practising the Artistic Research Catalogue
(Ruth Benschop) Artistic Expositions within Academia: Challenges, Functionalities, Implications and Threats
(Lucy Amez, Binke van Kerckhoven and Walter Ysebaert) Practising ‘Scaling Parnassus in Running Shoes’: From the Personal to the
Transpersonal via the Medium of Exposition in Artistic Research
(Darla Crispin) Integrating the Exposition in Music-Composition Research
(Hans Roles) When One Form Generates Another: Manifestations of Exposure
and Exposition in Practice-Based Artistic Research
(Ella Joseph) Writing Performance Practice
(Siobhan Murphy) Placing
Distant Voices and Bodies in a Market Square
(Andreas Gedin)From Wunderkammer to Szeemann and Back: The Artistic Research
Exposition as Performative and Didactic Experience
(Pol Dehert and Karel Vanhaesebrouck) Between the White Cube and the White Box: Brian O’Doherty’s Aspen 5+6, An Early Exposition
(Lucy Cotter) Counter-Archival Dissemination
Henk Slager
Biographies
Index