Antwerp School, Prince Wladyslaw Zygmunt Vasa's Kunstkammer
The Royal Castle in Warsaw - Museum, inv. no. ZKW/2123, phot. Andrzej Ring, Lech Sandzewicz
- Series editors
Allison Levy is Director of Brown University Digital Publications. She has authored or edited five books on early modern Italian visual and material culture.
- Geographical Scope
- Primarily Western Europe, bringing together the art traditions of Northern and Southern Europe; also, where relevant studies on non-Western traditions
- Chronological Scope
- 1300-1700
- Keywords
- Visual culture, material culture, image, object, medieval, early modern, art history, representation
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Serie
Visual and Material Culture, 1300-1700
De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
A forum for innovative research on the role of images and objects in the late medieval and early modern periods, Visual and Material Culture, 1300-1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies.
Death, Disease and Mystical Experience in Early Modern Art
Michael Hill, Jennifer Milam (red.)
The Frescoed Façade in Renaissance Roman Visual Culture
Alexis Culotta
Thinking Women and Art in the Long Eighteenth Century
Mechthild Fend, Jennifer Germann, Melissa Hyde (red.)
Beuckelaer and the Art of Dining
Claudia Goldstein
Embodied Experiences of Making in Early Modern Europe
Sarah Bendall, Serena Dyer (red.)
Picturing German Antiquity in the Age of Print
Rachel Carlisle
The Art of Anna Dorothea Therbusch (1721-1782)
Christina Lindeman
The Codex Borbonicus Veintena Imagery
Catherine DiCesare
Women Artists and Artisans in Venice and the Veneto, 1400-1750
Tracy Cooper (red.)
Comfortable Everyday Life at the Swedish Eighteenth-Century Näs Manor
Carolina Brown
Jacob van Ruisdael’s Ecological Landscapes
Catherine Levesque
Art and Its Geographies
Ingrid Vermeulen (red.)
Petrarch and Sixteenth-Century Italian Portraiture
Ilaria Bernocchi, Nicolò Morelli, Federica Pich (red.)
Image and the Office of the Dead in Late Medieval Europe
Sarah Schell
Bernardino Poccetti and the Art of Religious Painting at the End of the Florentine Renaissance
Douglas Dow
Trade, Globalization, and Dutch Art and Architecture
Marsely Kehoe
The Portuguese Restoration of 1640 and Its Global Visualization
Urte Krass
The Art and Government Service of Francesco di Bartolomeo Alfei (c. 1421 - c. 1495)
Anabel Thomas
Architecture, Opportunity, and Conflict in Eighteenth-Century Sicily
Martin Nixon
In-Between Textiles, 1400-1800
Beatriz Marín-Aguilera, Stefan Hanß (red.)
The Matter of Violence in Baroque Painting
Bogdan Cornea
Sufi Lovers, Safavid Silks and Early Modern Identity
Nazanin Hedayat Munroe
Indecent Bodies in Early Modern Visual Culture
Fabian Jonietz, Mandy Richter, Alison Stewart (red.)
Landscape and Earth in Early Modernity
Christine Göttler, Mia Mochizuki (red.)
Netherlandish and Italian Female Portraiture in the Fifteenth Century
Elisabetta Toreno
Stigmatics and Visual Culture in Late Medieval and Early Modern Italy
Cordelia Warr
The Painted Triptychs of Fifteenth-Century Germany
Lynn F. Jacobs
Titian's Allegory of Marriage
Daniel M. Unger (red.)
Money Matters in European Artworks and Literature, c. 1400-1750
Natasha Seaman, Joanna Woodall (red.)
Colonial Objects in Early Modern Sweden and Beyond
Mårten Snickare
Landscape and the Arts in Early Modern Italy
Katrina Grant
Creating Place in Early Modern European Architecture
Elizabeth Merrill (red.)
Prints as Agents of Global Exchange
Heather Madar (red.)
Women Artists in the Early Modern Courts of Europe
Tanja L. Jones (red.)
Portrait Cultures of the Early Modern Cardinal
Piers Baker-Bates, Irene Brooke (red.)
Materialized Identities in Early Modern Culture, 1450-1750
Susanna Burghartz, Lucas Burkart, Christine Göttler, Ulinka Rublack (red.)
Contamination and Purity in Early Modern Art and Architecture
Lauren Jacobi, Daniel Zolli (red.)
Early Modern Spaces in Motion
Kimberley Skelton (red.)
Artisans, Objects and Everyday Life in Renaissance Italy
Paula Hohti Erichsen
Somaesthetic Experience and the Viewer in Medicean Florence
Allie Terry-Fritsch
Poussin's Women
Troy Thomas
The Life and Work of Rosalba Carriera (1673-1757)
Angela Oberer
Figuring Faith and Female Power in the Art of Rubens
J. Vanessa Lyon
Representing from Life in Seventeenth-century Italy
Sheila McTighe
Art, Trade, and Imperialism in Early Modern French India
Liza Oliver
Religious Materiality in the Early Modern World
Suzanna Ivanic, Mary Laven, Andrew Morrall (red.)
Sense Knowledge and the Challenge of Italian Renaissance Art
Giles Knox
Satire, Veneration, and St. Joseph in Art, c. 1300-1550
Anne L. Williams
Reframing Seventeenth-Century Bolognese Art
Babette Bohn, Raffaella Morselli (red.)
Ornament and Monstrosity in Early Modern Art
Chris Askholt Hammeken, Maria Fabricius Hansen (red.)
Women Artists and Patrons in the Netherlands, 1500-1700
Elizabeth Sutton (red.)
Sartorial Politics in Early Modern Europe
Erin Griffey (red.)
Green Worlds in Early Modern Italy
Karen Hope Goodchild, April Oettinger, Leopoldine Prosperetti (red.)
Still-Life as Portrait in Early Modern Italy
Ornat Lev-er
Gender, Space and Experience at the Renaissance Court
Maria Maurer
Redefining Eclecticism in Early Modern Bolognese Painting
Daniel M. Unger
Picturing Commerce in and from the East Asian Maritime Circuits, 1550-1800
Tamara H. Bentley (red.)
The Pictorial Art of El Greco
Livia Stoenescu
Flagellant Confraternities and Italian Art, 1260-1610
Andrew Chen
Godefridus Schalcken
Wayne Franits
Divine and Demonic Imagery at Tor de'Specchi, 1400-1500
Suzanne M. Scanlan
Women, Art and Observant Franciscan Piety
Kathleen Giles Arthur
Creating Distinctions in Dutch Genre Painting
Angela Ho